Archive for the ‘Theatre’ Category

Giants Causeway Collage

Giants Causeway Collage

After sitting here in the library for more than an hour trying to write about my travels through Ireland and the UK, I have come to the conclusion that no matter what I create, it simply won’t encompass the joy I had while backpacking alone through Dublin, Galway, Belfast, Edinburgh, Newcastle, and London. I’m trying to write a story with a beginning middle and end that embodies everything I did, but I continue to churn out the same old monotonous crap that becomes tedious to write and uneventful to read. With that being said, in short, the major attractions I visited in chronological order were: The Guinness Factory, Phoenix Park, Aran Islands, Carrick-A-Rede Rope Bridge, Giant’s Causeway, Black Taxi Tour, Holyrood Park, Angel of The North, London Tower, Churchill’s War Room, The British Museum, The London Eye, St. Paul’s Cathedral, Shakespeare city walk, and The Harry Potter Studio. Out of everything I cited above, if I had to pick my top three it would be the Black Taxi Tour in Belfast, Churchill War Room, and The London Tower. I will refrain from going into any detail about these places because specific information is available online. I will say though that I highly recommend googling the Protestant and Catholic conflict in Northern Ireland if you don’t know about because Belfast was one of my favorite cities. I will briefly discuss this later as one of the plays I saw was based off this war.

Belfast Wall

Belfast Wall

Lets get to the good stuff. One of the Perks about traveling on your own is that you don’t have to please anyone, but yourself. The only quarrels you have are internally. There is no need to compromise and in the end you’re holding the reins and making the decisions. It’s a liberating feeling, especially when you’re abroad and somewhat out of your comfort zone. Don’t get me wrong, I loved every moment traveling with a group of friends, but they’re your security and you always can rely on them. It’s a doubled edged sword and fortunately, I was able to experience both. I met so many different people while on my own because I was forced to talk to whomever was in my hostel, the bar, etc. That was the best part about traveling solo. In the rest of this post, I will talk about the plays I saw and my audition for the Actors Studio Drama School at Pace University.

Abbey Theatre in Dublin: Drum Belly, By Richard Dormer

The Abbey Theatre is Irelands national theatre. It first opened its doors in 1904 and was founded by W.B Yeats and Lady Augusta Gregory. The Playwright Richard Dormer trained as an actor at the Royal Academy of Dramatic Arts in London. This was perhaps my second favorite play. At first it was strange watching a play in Ireland about the gangsters in New York, but quickly became captured by entire production. The soundtrack was phenomenal featuring The Stooges, which brought you back to the time when man first landed on the moon in 1969. I have posted a link to the soundtrack and a review below.

Drum Belly Soundtrack Drum Belly Review

Lyric Theatre In Belfast: Love, Billy, by Graham Reid

The strife between Catholics Nationalists and Protestants Unionist dates to the late 1960s to 1998, but sporadic violence still exists. To simply put it, Unionists and Loyalists generally want Northern Ireland to remain within the United Kingdom while Irish Nationalists and Republicans want a United Ireland free of UK rule. During the Black Taxi tour a Catholic man who lived through the war drove us around to various sites and gave his opinion on the matter. Of course he was biased and it was hard not to agree with him after hearing his personal stories and especially knowing history of past British colonization. The story is about a man who disappears from Belfast and returns home to his family after 25 years without any communication.

Love, Billy Review

Newcastle University Theatre Society

This was by far one the cooler performances I went to because the plays were written by students, preformed by students, and directed by students. They were preformed in a cozy black box theatre with very few props, basic lighting and sound. I was really impressed and I left the theatre feeling motivated.

NUTS Theatre

Shakespeare’s Globe Theatre in London: The Tempest, by William Shakespeare

Shakespeare's Globe Theatre

Shakespeare’s Globe Theatre

The First Globe was built in 1599 and burnt down in 1613. A Year after a second Globe was constructed, but was torn down in 1942. Recently, A modern reconstruction of the Globe, named “Shakespeare’s Globe “, opened in 1997. This was by far the best play I saw in Europe. It was one of those special shows where you just knew that it was a bomb performance by observing the satisfaction on each actor’s face during the applause. They had so much fun and kept the audience engaged by interacting with them during the show. I was in the pit, about three rows back, and you couldn’t have asked for better weather. I have heard and seen movies featuring The Globe, but it was surreal being there. I felt as if I was back in the 1600s watching a show.

The Tempest Review

Trafalgar Studios in London: The Hothouse, by Harold Pinter

When I saw a Pinter production was being shown in London, I immediately told myself I had to go. His plays call for British accents and what better place to hear genuine accents then London. Harry Melling, who plays Harry Potter’s spoiled bully cousin Dudley Durstley, was in the Cast, which was good for a laugh, and he was quite good. The hothouse is a dark exploration of Kafkaesque incarceration and torture during a 1982 interview. The play is set in some mysteriously undefined institution referred to as a sanatorium and the patients are all administered numbers by which they are called by.

The Hothouse Review

St. Martin’s Theatre: The Mousetrap, by Agatha Christie

The Mousetrap was first presented on the November 25th 1952 at the Ambassadors Theatre and later moved to St. Martin’s Theatre in 1974. It is the longest running play running for more than 60 years. This is another play that you know about and therefore I had to see it. I’m officially apart of the Mousetrap initiative and am not allowed to reveal the mousetrap secret.

Mousetrap Review

Actors Studio Drama School at Pace University

Last Monday, I had an audition with the Actors Studio Drama School at Pace University in NYC. The three-year MFA program combines student directors, playwrights, and actors and teaches them the Stanislavski System and The Method. There are two main reasons I applied for this school; one, being that they’re the best at what they do, which is teaching the Stanislavski Method and secondly, directors, playwrights, and actors are able to work together. It would be a fantastic opportunity, but if I don’t get in then I move on to Plan B and keep working. As for the audition, I thought it went well given the circumstances. My scene partner and I had two hours to rehearse and I was a bit rusty after being abroad for five months. I was so amped up during the monologue that I forgot to slow down and I missed the moments where I could have paused and taken my time. I can’t beat myself up over it because at the end of the day I learned something and I know my faith will guide me in the right direction. I hear back next week and the odds aren’t in my favor, but I commemorate myself for going for something I want. It’s funny how life works, two years ago I was foolishly considering dropping out of school, and now I have done a complete 180 and I’m applying for my masters.

I go back to Blacksburg this summer to finish my marketing degree and to work on my video that documents our travels in Kenya. My last summer in Blacksburg… hard to believe, but I’m smirking now because this is just the beginning.

A Few Goals for the Summer:

  • Improve my golf game
  • Get into the bowling 250 club. My high is a 246.
  • Do a sunrise hike
  • Officially graduate
  • Improve editing skills in Final Cut Pro
  • Work on a new monologue
  • Blog once a week
  • Work on leg strength: Improve dead-lift and squat (form+weight)

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My family and I were fortunate enough to see War Horse this week at the Cadillac Theatre in Chicago.  The set was simple, consisting of a bare stage and a thin long white scrim draping above.  The props were visually stunning and effective at creating the scene. Most of the projections were in black and white, which was fitting for the given time period. They also provided key dates, which again, helped with the setting. There are upwards of 40 cast members and I was sitting almost 20 rows away, which makes it hard to accurately critique the acting.  I did enjoy Andrew Veenstra, who plays the main character Albert.  Overall, I thought the play was excellent, but I honestly love the more intimate black box theatre experience simply because the production relies heavily on the acting. Anyway, I originally wrote this to discuss the brief evolution of horses in theatre and how it has changed since the 19th century.

In the 19th century it was common for real living horses to appear on stage. This type of drama was known as hippodrama, which evolved from earlier equestrian circus. The first hippodramatic play premiered in 1803 in London at Astleys Amphitheatre. The staging for these types of plays combined a proscenium stage with a dirt riding area below. Hippodrams fell out of favor with the public in the mid century. In the 1880s the United States saw a short revival of hippodramas due to the invention of the treadmill. Real living horses would run along this machine just as a human would. Horses were considered actors back then just like they are today in film.

19th Century Treadmill

In today’s modern theatre we never see horses unless you’re at the circus. As I mentioned earlier, a very famous play in today’s theatre that involves horses is War Horse. The story is about a young boy, Albert, and his horse, Joey during the World War I.  Joey is sold for cavalry and shipped off to France. Albert, who is still too young to enlist in the army, leaves home with the hope that he will find Joey.  The cinematic version of this story uses real living horses whom are actors, but in the theatre adaption they use puppet horses.  The puppeteers are masterful at their craft and are able to work the puppets presenting even the slightest of movements. The Handspring Puppet Company designs the puppets.

“Each horse is operated by three actor/puppeteers; two that spend the majority of the show under the frame of the horse controlling the legs, hooves and tail. When an actor has mounted the horse, the puppeteers have to hold upwards of 200 lbs on their backs. A third puppeteer leads the horse and controls the movements of the head – even down to the slightest ear flick.” (TheCraftsDept)

I would never have believed that a puppet horse could offer more detail and have a deeper and truer connection with the audience as opposed to real horse. It would also be dangerous and impractical to have living beast on stage and the puppets are designed accurately enough that you almost forget that they aren’t real.

War Horse Puppet

The next play I will be seeing is The Letters, written by John W. Lowell, which will be preformed at the Writers Theatre.  Until then, have a Happy New Year!

Well, I’m back home with the family in Chicago for Thanksgiving break. I went to Madison, Wisconsin to visit a couple buddies of mine over the weekend. It was a hell of a time; too bad the Badgers couldn’t pull off the upset in overtime. I’m still suffering from post dramatic Woyzeck disorder. It’s been a little over a week since our last show and I miss pretty much everything about it. You know what they say though life goes on.

Life has treated me well this semester and I can’t say that I have had any major dilemmas or problems. My mother and I are going to go see Hamlet at the Writers’ Theatre in Glencoe this Wednesday. I have never seen a professional Shakespeare play and I’m looking forward to it. Kenneth Branaghs’ film adaption is my favorite Shakespeare movie of all time. It’s hard to talk about his portrayal of Hamlet because words can’t justify the beauty of his performance.

That’s about it though. I finally have free time to kick it, read plays, find monologues, and enjoy my final weeks as at school before I go abroad. Below is a preview of Hamlet from the Writers’ Theatre. Enjoy!

Yes, today is finally here. Neil Labute’s adaption of Woyzeck opens in less than 4 hours, and I couldn’t be more excited. This is the first time this adaption has been preformed in the United States.  The cast has devoted 164 hours of rehearsal time into this production, as well as outside time learning lines and working on their characters. I cannot stress enough that there wouldn’t be a show without the director, stage manager, lighting designer, sound technician, set designer, fight choreographer, costume crew, projections team, and props crew. I, as well as the entire cast, cannot thank them enough for the time and effort they have dedicated to the show. Thank you again.

This whole process for me has been a blessing. For me, the utmost beneficial part through all of this has been watching the other actors work. Seeing them make discoveries about their characters and then transferring that over to their work has been eye-opening. Jordan Goldston, who plays Woyzeck, is an unbelievable talent. He is always at the theatre at least an hour before call doing Fitzmaurice tremors, stretching, listening to music, and doing whatever he needs to do in order to get in to character. He has been a great role model for me. The other day in directing class, he was explaining techniques he learned while studying at the Esper Studio, which made me even more excited to study there next fall. He said something about acting that resonated with me, ”Acting truthfully under imaginary circumstances” so simple, yet so true.

The real fun finally begins tonight! Break legs everyone!

I told myself at the end of spring last semester, that no matter what, I would not leave Virginia Tech without being in a main stage production. Woyzeck was my last shot to accomplish this because I knew I would not be at Tech for my final semester. Instead, I will be studying abroad in Lugano, Switzerland. That is why I won’t have the opportunity to audition for the spring semester plays. Back to my point, I worked my ass off this summer rehearsing monologues, reading the play, and doing background work on the original author Georg Buchner. All of this translated to me getting cast. Yeah, its only a school play, but It’s being directed by Bob McGrath, who has his own theatre company in NYC, and has won multiple OBIE awards. Also this version of Woyzeck has never been preformed in the United States. Neil Labute, who is an American film director, screenwriter, and playwright, has adapted this play and specifically wrote this piece for Bob.

I still can’t believe we open in 15 days, but I’m ready for it. I have learned so much from this adventure and it has helped me grow immensely as an individual, but also as an actor. I’m living the life right now. On that note, I just want to say, always keep attacking and don’t let anyone tell you what you can or cannot do.